Windham-Campbell Prizes

Windham-Campbell Prizes The Donald Windham-Sandy M.

Campbell Literature Prizes call attention to literary achievement and provide writers the opportunity to focus on their work independent of financial concerns.

06/05/2026

The 7th season of the x
Lit Hub podcast is here!

Join us for a conversation with Lucy Sante on AN ANTHOLOGY OF NEW YORK POETS, edited by Ron Padgett and David Shapiro. The 1970 first edition featured cover art by Joe Brainard (!) and collected work by some of our all-time favorites including Frank O’ Hara, Bernadette Mayer, and Harry Mathews. Listen on Spotify, Apple Podcasts, or wherever you get your podcasts: lithub.com/lucy-sante-on-an-anthology-of-new-york-poets/

06/04/2026

Are you a writer for whom writing doesn’t come naturally?

recipient Adam Ehrlich Sachs believes that pursuing your obsessions will ultimately serve your fiction.

Adam quit atmospheric science, economics, screenwriting, and a PhD program in the history of science. After moving through these various fields of human inquiry, he landed on fiction as a way of weaving them all together. But not just any fiction. For his debut, he first tried writing a conventional novel about fathers and sons, before quitting that, too, and realizing that he had to dice the story into hundreds of microstories on fathers and sons to get at what he was really after.

We recommend the resulting book, INHERITED DISORDERS, for a dark, hilarious take on filial bonds.

05/28/2026

2026 Windham-Campbell Prize recipient Gwendoline Riley reads an excerpt from her latest novel, THE PALM HOUSE. Read along: lithub.com/the-palm-house

05/26/2026

2026 Windham-Campbell Prize recipient and David Geffen School of Drama at Yale alum Christina Anderson reads from the opening scene of her play HOW TO CATCH CREATION.

Griffin: Just because I’m a man…

Tammy: Yes.

Griffin: Means I shouldn’t smile at children?

Tammy: If I had my kid on the train and you smiled at my kid… you just shouldn’t do it.

Griffin: If you have a kid. And if I see the two of you on the train, I won’t smile. Why are you so negative?

Tammy: I’m a realist.

Griffin: The glass is always half empty with you. Hairline cracks that you don’t notice until it’s already filled with drink.

Tammy: I’m a realist. I have a TV. I read the paper, I watch the news. I talk to educated people.

Griffin: You’re a pessimist.

Tammy: I worry about you smiling at kids. It’s not a smart thing to do. People don’t trust men who are nice to kids they don’t know. Creeps and pervs ruined it for good men. You’re a good man. But those parents don’t know that, so when you smile…

Griffin: I get it.

Tammy: Just be careful.

05/22/2026

…I cried for my mother / when died my bright lyre / at eyerise the thought of her / streams thru the ether / like a yolk in its v***r / consumes its own sulphur…

2026 Windham-Campbell Prize recipient Joyelle McSweeney performs “On the Hooded Merganser, That Clock-Faced Duck" from her collection DEATH STYLES (Nightboat Books, 2022). This is poetry for the impossible task of surviving grief.

05/21/2026

2026 Windham-Campbell Prize recipient Lucy Sante reads from “E.S.P.,” an essay from her incredible collection MAYBE THE PEOPLE WOULD BE THE TIMES (Verse Chorus Press, 2020). Enjoy!

“Very late that night, riding home on the train as it shoots past the graffiti-washed vacant stations on the local track, they stare straight ahead, unable to explain or articulate the sense of dread that fills them both except by reference to the lateness of the hour, or the ebbing of the drugs, or the onset of a cold. The nearly empty train is going too fast, and it leans around curves as if the wheels on one side have lost contact with the track, and the lights periodically wink off for as much as a minute at a time. They sit slumped in a double seat next to a door. Whenever the train stops at a station the doors open and nothing comes in, an almost palpable nothing. Neither bothers to look because they can feel it slide in and take its place among the already assembled nothing. The air is heavy with the weight of an earlier week, when it was still summer in the streets above. The light breaks up into particles. Down here the night could last forever. The song is “Florence,” by the Paragons.”

05/19/2026

“Dear James, I think about why we write letters—as an antidote to distance, as a cure for miles and the spaces that stretch between us.”

In “Letters to James Baldwin,” an essay in THINGS I HAVE WITHHELD (Grove Atlantic, 2022), recipient Kei Miller reaches out to a writer whose work means a lot to him.

05/15/2026

“Solie is an essential writer… anyone remotely interested in 21st-century literature, or 21st-century life, should read her.” — The Telegraph

Karen Solie shares an exclusive reading from WELLWATER, her latest collection of poetry.

Join us on Yale University's campus, September 15-18, 2026, for our annual literature festival where you can enjoy more readings and talks by all of this year's Windham-Campbell Prize recipients!

05/14/2026

2026 Windham-Campbell Prize recipient Shakthidharan Sivanathan shares an excerpt from his first play COUNTING AND CRACKING (Currency Press, 2020).

“Something happened to my amma in Sri Lanka in 1983 and so now I’m here. But if whatever that was in 1983 had gone a little bit differently, I could be living in a house in Colombo. Or in a refugee camp in India. But I’m not. I’m in Sydney. Now I don’t know how or why, but I do know that because my amma came here, I met you. Now I’m pretty sure I’m in love with you—no I’m definitely sure I’m in love with you—but what I’m also trying to say is that it feels super weird to be in love with you in Coogee.”

05/11/2026

"This book is only for people who like joy, absurdity, passion, genius, dry wit, youthful folly, amusing historical arcana, or telescopes." ―Rivka Galchen, author of LITTLE LABORS

Join us for a reading from THE ORGANS OF SENSE by Adam Ehrlich Sachs, recipient of the 2026 Windham-Campbell Prize for Fiction.

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