I C A R C H Gallery

I C A R C H  Gallery In search for a new architecture... ICARCH stands for International Competitions in Architecture. There is an important difference here.

It also hints, sufficiently well, towards Icarus, Daedalus’ son, who perished when he dangerously approached the Sun. The name ICARCH has a few other meanings, but these are more obscure and we choose to leave them aside, for now. ICARCH came into being from a deeply seated belief that architecture should be again intimately connected with broader cultural issues. It tries nothing else but to buil

d bridges between diverse cultural fields, generally not connected with architecture. More than this, it tries to “personalize” again architecture by re-connecting it with the “story of life” at a time when everything seems to point towards an increased abstractization and depersonalization, not to say alienation…! But how to “tell a story” through architecture is not very easy… perhaps a possible answer might derive from that intuition Gaston Bachelard had when he stated that a mollusk does not build a house to live in, but lives in order to build its house…! If the “house” is not just another “product” to be quickly possessed and consumed by the voracious “consumer,” but the culmination of his / her existential journey, then the house becomes, essentially, the most accurate expression of his / her biography, all the better if that biography had / has a certain relevance. And if the “house” expresses intimately that biography, we can only expect it to be rich, and sufficiently individualized to be able to receive a proper name. Not the name of its architect, but the name of the “author” of that biography, whose expression, in built form, it actually is! We are interested mainly in “houses.” but we use the word “house” in the most generic, almost archetypal way. At bottom, in architecture everything is a “house.” A school is “the house of learning,” a bank is “the house of money,” a church is “the house of god,” a library is “the house of books,” etc… It is this very primal meaning that interests us, be it “real,” or metaphorical. To end: we can only say, together with Jean-Luc Godard, in his film “Notre Musique,” (Our Music) that even a more or less banal castle like Elsinore, in Denmark, could become a very special one, once we learn that it was Hamlet who lived there…! This is because, all of a sudden, the “house” becomes illuminated by a significant biography, that is, by an “earned life,” that is, by a LIVED LIFE!

02/11/2022

The great French painter Pierre Soulages died on October 26th, 2022. We invite you to the following commemorative competition:
https://www.icarch.org/competitions/a-house-of-black/

Black – Nigredo – Blackening.

Who would want a black house ? Even with one wall black ?

Certainly not the bourgeois, the bourgeois wants pink.

But black is immensely important. Malevich knew it too.

And of course Pierre Soulages, the French painter who died, at 102, on October 26th, this year.

Did we write correctly ? Yes, we did. Pierre Soulages died at 102, on October 26th, 2022.

Was there ever a painter who lived longer ?

Probably not.

So maybe being The Master of Black, as he was called, helped.

Yes, maybe Death itself is afraid of blackness, not just the bourgeois. And thus, it avoided to visit Pierre Soulages, for a long time.

Anyway… why is blackness important ?

It was the first step in the alchemical process: blackening – Nigredo.

The second step being Whitening – Albedo, and the third one, Reddening – Rubedo.

But the alchemical process started with Blackening – Nigredo.

So maybe the poet was right: “Darkening darkness, thus the gates of light!”

And darkening darkness means: blackening.

So this is what Pierre Soulages did all his long life: he blackened everything, artistically. And it seems it worked. Black brought him success and his longevity was a success too, some might say.

Maybe we should all blacken, and blacken, and blacken everything.

TOTAL BLACKNESS.

So how would THE HOUSE OF BLACK, or A House for Pierre Soulages might look like ?

Well, it might have to be black, yes, but not any kind of black, perhaps. But then, are there different kinds of black ?

Probably not.

But what we would like to say is this: it has to be that INTENSE BLACKNESS that shows, actually, an aspiration for its opposite: LIGHT, or LIGHTNESS.

What about BLACK LIGHT, like the one apparently achieved by Philippe Rahm in one of his projects ?

All in all, we invite you to plunge courageously in that blackness that is redeeming. Yes, A REDEEMING BLACKNESS.

Redeem yourself, dear architect, through THE BLACKEST HOUSE IMAGINABLE. Call it, if you want, A HOUSE FOR PIERRE SOULAGES.

https://www.icarch.org/competitions/a-house-for-lebbeus-woods/Let’s design A HOUSE FOR LEBBEUS WOODS, now that there are...
03/10/2022

https://www.icarch.org/competitions/a-house-for-lebbeus-woods/
Let’s design A HOUSE FOR LEBBEUS WOODS, now that there are 10 years since he died.

How would it be?

Maybe it would be just like the business card, in its spirit. The worm is waiting for all of us, but contrary to what some might think, this very awareness of the worm should not depress us, but make us live as intensely as possible, here and now.

Hello.On September 27th, 1389, Cosimo de' Medici, banker and de facto ruler of Florence and patron of the arts, was born...
27/09/2021

Hello.

On September 27th, 1389, Cosimo de' Medici, banker and de facto ruler of Florence and patron of the arts, was born in Florence, while on the same day, but in 1908, Henry Ford's first Ford Model T automobile left the Piquette Plant in Detroit, Michigan.

I invite you to a discussion about both Cosimo de' Medici and The "T" Model automobile, and their relationship to architecture.

Thank you,

Dan Coma

Address

Gara Docăneasa
Vinderei

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