BROTH art

BROTH art Broth Art is an online contemporary art gallery and art advisory

Broth Art thinks creatively around the need for a commercial space, trading as a gallery online, at art fairs, and pop-ups. Broth Art promotes and sells art by a cross-section of emerging and mid-career artists from across Europe, making their unique works of art visible to collectors from around the world. Spanning a wide-range of disciplines and mediums, our growing stable of contemporary artists gives collectors plenty to choose from.

M a f a l d a F i g u e i r e d o | N e w C o l l e c t i o n 🌚Broth Art is delighted to present five new works by p...
28/05/2026

M a f a l d a F i g u e i r e d o | N e w C o l l e c t i o n 🌚

Broth Art is delighted to present five new works by painter Mafalda Figueiredo. Working on a more intimate scale than her usual compositions, Figueiredo continues her exploration of self-identity. In contrast to her larger paintings of full-bodied figures, these smaller works — ranging from 40 x 45 cm to 50 x 60 cm — are devoid of context, instead, they are concentrated vignettes that feel like pieces of a larger psychological landscape.

Drawing from dreams, personal memory, and her own lexicon of symbolic association, the paintings are more suggestions than actual narratives, inviting viewers into moments of ambiguity, intimacy, and self-reflection.

View the new collection online now (link in bio) 👆

In Berlin, I found an unexpected consolation at Hamburger Bahnhof, standing inside the sculptural and polyphonic install...
23/05/2026

In Berlin, I found an unexpected consolation at Hamburger Bahnhof, standing inside the sculptural and polyphonic installation, ‘We Make Years Out of Hours’ by Lina Lapelytė. Faced with the very real prospect of missing this year’s Venice Biennale, there was something quietly restorative about encountering the work of a Golden Lion winner here instead.

A few years ago, I had the pleasure of seeing Sun & Sea (Marina) — the extraordinary work that won Lapelytė the Golden Lion at Venice in 2019 — so I was excited to experience more from the Lithuanian artist. Immersive, multisensory, and deeply interactive, her latest installation is everything one might expect from her practice. Yet the simplicity of a 2,500-square-metre hall filled with 400,000 small wooden cubes, inviting visitors to collectively build and dismantle structures, completely blew me away. Both visually and sonically beautiful, the work also carries a powerful message about community, participation, and the transformative potential of playful collective action.

“Art says things that history cannot.” – Beatriz GonzálezI’m still thinking about this powerful retrospective at the Bar...
06/05/2026

“Art says things that history cannot.” – Beatriz González

I’m still thinking about this powerful retrospective at the Barbican. González’s ability to transform everyday and found imagery- whether from art history or newspaper clippings- into something both deeply personal and politically charged is incredible. There’s satire, tenderness, and defiance all woven into her bold colours and graphic style.

What really struck me is how she challenged hierarchies- between mediums, between “high” and “low” culture, and even between history and lived experience. Furniture becomes canvas, decoration becomes commentary, and the ordinary becomes monumental.

It’s a deeply Colombian story, but also one that resonates far beyond, touching on universal experiences of conflict, loss, and resilience.

If you get the chance, go see it!

A r t i n t h e h o m e 💜I found the perfect spot for ‘I Paint My Eyes Open’ by Mafalda Figueiredo – an oil painting ...
23/03/2026

A r t i n t h e h o m e 💜

I found the perfect spot for ‘I Paint My Eyes Open’ by Mafalda Figueiredo – an oil painting on canvas which obscures the waking world with the dreamt, inviting doubt as to where our subconscious ends and lived reality begins. This is an old work of Figueiredo’s but a very telling precursor to her current work that continues to explore the complex nature of self-identity.

Are you the proud owner of a Broth artwork? Please share a photo if you are, we love seeing artworks in situ.

E v e r g r e e n | F e a t u r e d A r t w o r k “My mind naturally turns to pine trees when I think of evergreen, we...
16/03/2026

E v e r g r e e n | F e a t u r e d A r t w o r k

“My mind naturally turns to pine trees when I think of evergreen, we can see pine woods from our house and a few years ago my husband planted a Scots pine that is turning into a fine young tree. Pine symbolises eternal life, regeneration and resurrection. In Greek mythology Pitys was turned into a pine by the gods after she had been killed by Pan for spurning his advances. Drawing from the pine woods down the road I have populated my prints with creatures who pass through, either in reality or in my imagination. Pitys is there sprouting new growth and communing with the other woodland inhabitants.” - Kathleen Cottell

Kathleen Cottell presents three printworks in our current group exhibition ‘Evergreen’.

Kathleen Cottell (b. 1956) lives in Cornwall, UK. In 2003, she gained a BA Fine Art from Falmouth School of Art. Working across printmaking and ceramics, she records vistas, visions, relationships and stories with the hope to better understand them.

1. KATHLEEN COTTELL
‘The Grace of the World’
monotype on japanese paper
26 cm x 28 cm

2. KATHLEEN COTTELL
‘Pity’s in the Pine Forest’
monotype on japanese paper
26 cm x 28 cm

3. KATHLEEN COTTELL
‘Grow Sweetly’
monotype on japanese paper
26 cm x 28 cm

C e l e b r a t i n g W o m e n Today I’m taking a moment to reflect on a few things that have captured my attention re...
11/03/2026

C e l e b r a t i n g W o m e n

Today I’m taking a moment to reflect on a few things that have captured my attention recently, or continue to inspire me—both as a woman and as a mother.

1. Catherine Opie at the National Portrait Gallery
Absolutely superb. photography explores identity and authenticity with remarkable depth. Her work bears witness to social norms and their impact, while celebrating the individuals who resist and redefine them.
2.
Glasgow Women’s Library is incredible—and more people should know about it. A vital space dedicated to preserving and celebrating women’s histories, achievements, and voices.
3. Monsters by Claire Dederer
I’m absolutely loving this book. The chapter on women artists and creatives being perceived as “monsters” for choosing their art over motherhood is incredibly humanising. It powerfully addresses the double standards that still exist between women artists and their male counterparts, and also touches on the legacy of the Me Too movement.
4. Carole Gibbons
Simply because she is amazing—and is finally getting the recognition she deserves
5. Lee Miller at Tate Britain
A remarkable person. Beyond being a trailblazer who consistently challenged gender norms, her photography offers a female perspective on a period of history that is so often seen through a male lens.

E v e r g r e e n | F e a t u r e d A r t w o r k “In February I was in Spain, and it was there beneath the canopy of ...
05/03/2026

E v e r g r e e n | F e a t u r e d A r t w o r k

“In February I was in Spain, and it was there beneath the canopy of an evergreen Holm Oak that I picked up the acorn. I liked its pleasing bold shape and warm hues. The acorn is pressing against the edges of the paper as though bursting with the potential for new life and growth.” - Lisa Gribbon, 2025.

Lisa Gribbon’s ‘Acorn’ is amongst the works selected for ‘Evergreen’ our current curated collection.

Lisa Gribbon is a Scottish artist based in Inverurie, Aberdeenshire, Scotland. She studied Fine Art at Duncan of Jordanstone College of Art & Design in Dundee. Working mainly in printmaking, Gribbon has exhibited her work in Europe, Japan and the United States. Last year, she was awarded funding by the Bet Low Trust to attend the Can Serrat Art Residency Program in Catalonia, Spain. Her prints are in a number of public collections including the National Library of Scotland Edinburgh and Victoria & Albert Museum London. 

LISA GRIBBONS
‘Acorn’
Watercolour and pen on paper
10 cm x 15 cm

E v e r g r e e n | F e a t u r e d A r t w o r k “I can’t help but be inspired by nature on my regular walks. The sha...
23/02/2026

E v e r g r e e n | F e a t u r e d A r t w o r k

“I can’t help but be inspired by nature on my regular walks. The shapes, colours and feelings I experience allow me free-reign in my painting. It is wondrous how alive things are and how wild nature can be. We are all aware of how our planet is at risk and there are many solutions proposed to reverse the damage. For me the collapse in values of respect and care/ nurture are mirrored in the destruction of what we have come to take for granted, not just in nature. Painting and making art is my way to contribute to new narratives that are positive and generative for myself and others.” - Ann Vance, 2025

Ann Vance presents three artworks in our current group exhibition ‘Evergreen.’

Ann Vance (b. 1965, Glasgow) is a multi-disciplinary artist working across painting, drawing, collage, film and video. She has both a BA (Hons) in Fine Art in Drawing and Painting and a Postgraduate Diploma in Fine Art from Glasgow School of Art (GSA). In 1992, she gained a Postgraduate Diploma in Art Media Studies from Rijksakademie van Beeldende Kunsten, Amsterdam. She has exhibited her moving image work in Scotland and internationally.

“I focus on themes both personal and political, weaving theories of feminism and anarchism with materiality and expressionism. My painting practice is developing towards abstraction but this is anchored by motifs of landscape and nature. Themes of entropy and collapse that permeate our social experience allow me to experiment with ground, materials, colour and the act of painting itself in order to regenerate new forms and energies. My praxis combines creativity, thinking, and action towards personal development and social justice.”

ANN VANCE
Green Emerging
oil paint, oil stick on recyled wrapping paper on cardboard
21.5 cm x 21.5 cm

ANN VANCE
Other Horizon
Oil paint on canvas
30.5 cm x 23 cm

ANN VANCE
Found Like Red Wood
oil paint, oil paint stick on paper
20 cm x 20 cm

Evergreen | Group Exhibition Continues Online
19/02/2026

Evergreen | Group Exhibition Continues Online

A r t i n t h e h o m e 💚Gordy Livingstone’s ‘Double Bed’ looking 👌above a collector’s mantelpiece. Love, love, love!...
18/02/2026

A r t i n t h e h o m e 💚

Gordy Livingstone’s ‘Double Bed’ looking 👌above a collector’s mantelpiece. Love, love, love!

Are you the proud owner of a Broth artwork? Please share a photo if you are, we love seeing artworks in situ ❤️

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E81LX

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Monday 9am - 6pm
Tuesday 9am - 6pm
Wednesday 9am - 6pm
Thursday 9am - 6pm
Friday 9am - 6pm
Saturday 9am - 6pm

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